That 70's Bath

Back to Sally's apartment in NYC!!   We were puzzled with what to do to this tiny 5' x 7' guest bath.  One wall is mirrored with an open fluorescent-tube fixture;  the remaining 3 walls painted white.  Black and white tile covers the lower half.   Overall, it had a very 70's feel about it.  The challenge again was to update the surfaces without a demo.

Before

Sally had considered leaving the walls white, and hanging large art prints.  Or possibly...dare we say it?..wallpapering the space.  Well, you can guess what we had to say about that!!  We tossed some ideas around and came up with a great design...a custom, all-over art stencil...funky, yet with a deco feel that would work with the existing tile 

First, we started with a slate grey Lusterstone plaster.  Lusterstone has a beautiful shimmer when it is burnished. We also did the ceiling in a very pale silvery-grey.

Lusterstone was applied first to the wall and ceiling. 

Next we transferred the art onto contact paper, then installed the paper.

Installed stencil

 Using an exacto blade, we very, very, carefully cut and removed the negative areas.

Cut stencil

We then applied another coat of the plaster in a much deeper grey Lusterstone.

Applied a 2nd coat of product

Finally, we removed the contact stencil and...

...Ta daa!!

Please note the infinity effect of the pattern in the mirror...this, of course, was by design ;-).

The pattern wraps PERFECTLY around the room!

One bathroom down, one more to go.  We'll post the 2nd bath soon, along with final photos of the apartment...new stainless appliances and backsplash in the refurbished kitchen, and decorating updates in both bathrooms.  Until then, we're back in CT, busy with other jobs.

Susan and Tracey

FWS

A Lesson In Faux Bois

Faux Bois Marquetry

Faux Bois is the practice of imitating woodgrain on a wood or non-wood surface by applying layers of paint in order to increase that surface's aesthetic appeal.  Historically, Faux Bois dates back to the ancient Egyptians over three thousand years ago.  Graining was especially common in the 18th and 19th centuries, as people were keen on imitating expensive hard-woods by applying layers of glaze or paint on less expensive soft-woods.

Step 1 and 2

Steps 1 and 2 were completed by the painting contractors.  All the picture-panelled moulding was primed, then basecoated. The base coat is visible in the photo on the trimwork around the window.

2 passes of glaze

After the entire space was prepped for us, we applied 2 passes of a mixture of glaze and stains on all the trim.  The first pass of glaze was tinted dark brown; the 2nd pass was tinted a reddish-brown.  Each layer is applied with a pad, using specially bristled brushes to manipulate the glaze, creating a very soft grain, similar to cherrywood.  Because of the scope of this job, we had to work in a 'production' mode...although intricate grains and knots are commonly incorporated into the finish, this would have been time and cost prohibitive. 

Create inlaid panel

Once all the trim was finished,  we applied the same technique to the inset panels.  To create more visual interest, we decided to treat them as inlaid marquetry panels.  Each panel was taped off, then glazed with the same 2 layer process in different directions to add depth and dimension. 

Apply the second pass

Ta daa!

Finally, applying 2 coats of satin polyurethane completes the illusion, and protects the finish.

Oh...and we did three coffered ceilings,  2 of which were cathedral.  Twenty feet high...on a scissor lift!

And, that is today's lesson in Faux Bois!!

Susan and Tracey

FWS